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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20200831T210000
DTEND;TZID=America/New_York:20200831T220000
DTSTAMP:20260407T021825
CREATED:20201001T205439Z
LAST-MODIFIED:20201002T035306Z
UID:10000091-1598907600-1598911200@makinimakes.com
SUMMARY:Study Sessions: FIELD STORIES\, guest/convidada Nefertiti Charlene Altán | em português | in English
DESCRIPTION:on Facebook and IG Live  | no Facebook e IG Live\n\n\n\n\nStudy Sessions: FIELD STORIES\, 31 de agosto | August 31st \njumatatu m. poe conversa com artista e ativista  Nefertiti Charlene Altán numa sessão do imaginar radical. o que e o como de “para onde iremos a partir daqui?” \njumatatu m. poe and artist & activist Nefertiti Charlene Altán engage in a session of radical imagining. the what’s and how’s of “where do we go from here?” \nNefertiti Charlene Altan é. afro-indígena. queer. feminista. ativista. artista do corpo. percussionista. produtor cultural. curador. educador. intérprete. De raízes guatemaltecas\, crescidas na Bay Area\, Califórnia\, morando em Salvador\, Bahia desde 2013\, concluindo o programa de certificação técnica em dança pela Fundação Cultural da Bahia em 2016. Ela passou os últimos 15 anos pesquisando\, participando\, compartilhando e criando ambos música contemporânea e folclórica e trabalho performático com grupos e artistas dos EUA\, México\, Canadá\, Haiti\, Venezuela\, Colômbia e Brasil. É artista fundadora / produtora / curadora do Deslimites Mediações Artísticas\, coletivo que faz a ponte entre a dança contemporânea e outras mídias em espaços não convencionais dentro de um quadro feminista e anti-racista\, inaugurando o espaço cultural independente Casa Rosada em 2018. É uma alárìnjó (iorubá para “aquele que dança e canta enquanto caminha) na primeira peça de instalação de teatro musical brasileiro original em ioruba\, QUASEILHAS de Diego Pinheiro & faz parte do grupo de percussão atabaque afro-brasileiro Tamborá Ayó com Mestra Monica Millet. \nNefertiti Charlene Altan is. afro-indigenous. queer. feminist. activist. artista do corpo. percussionist. cultural producer. curator. educator. interpreter. Of Guatemalan roots raised in the Bay Area\, California living in Salvador\, Bahia since 2013\, completing the technical certification program in dance from the Fundação Cultural da Bahia in 2016. She has spent the last 15 years researching\, participating in\, sharing and creating both contemporary and folk music and performance work with groups and artists from the USA\, Mexico\, Canada\, Haiti\, Venezuela\, Colombia and Brazil. She is a founding artist/producer/curator of Deslimites Mediações Artísticas\, a collective that bridges contemporary dance with other mediums in non-conventional spaces within a feminist & anti-racist framework\, opening the independent cultural space Casa Rosada in 2018. She is an alárìnjó (Yoruba for “one who dances and sings while walking) in the first-ever original Brazilian musical theatre installation piece in Yoruba\, Diego Pinheiro’s QUASEILHAS & is part of the all-female Afro-Brazilian atabaque percussion group Tamborá Ayó with Mestra Monica Millet. \n \n\ncontribute to Nefertiti’s dreamwork directly | contribua diretamente para o trabalho dos sonhos da Nefertiti! PayPal — nefertiti.altan@gmail.com \ncontinuando o trabalho iniciado na Fase Um do documento Creating New Futures\, jumatatu vai realizar laboratórios do imaginar com artistxs pretxs e indígenas dos EUA e do Brasil sobre o que têm\, o que querem e ESPECIALMENTE para onde iremos a partir daqui. esta série é produzida por Día Bùi\, com assistência na curadoria por Anderson Feliciano. \ncontinuing work begun in Phase One of the Creating New Futures document\, jumatatu will be hosting imagining laboratories with Black and Indigenous artists in the US and Brazil about what they have\, what they want\, and ESPECIALLY where to go from here. this series is produced by Dia Bui\, with curatorial assistance by Anderson Feliciano. \ncúmplices\, para apoiar este trabalho como patrono\, use o link http://patreon.com/jumatatu. pode oferecer uma contribuição única pelo: shorturl.at/grFG9 \naccomplices\, please sustain this work at http://patreon.com/jumatatu. you can also offer a one-time contribution — shorturl.at/grFG9
URL:https://makinimakes.com/event/study-sessions-field-stories-2020-08-31/
CATEGORIES:Conversation
ATTACH;FMTTYPE=image/gif:https://makinimakes.com/wp-content/uploads/2020/10/Nefertiti-event.gif
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20200824T210000
DTEND;TZID=America/New_York:20200824T220000
DTSTAMP:20260407T021825
CREATED:20201001T205439Z
LAST-MODIFIED:20201002T034427Z
UID:10000090-1598302800-1598306400@makinimakes.com
SUMMARY:Study Sessions: FIELD STORIES\, guest/convidada Rosy Simas | em português | in English
DESCRIPTION:on Facebook and IG Live  | no Facebook e IG Live\n\n\n\n\nStudy Sessions: FIELD STORIES\, 24 de agosto | August 24th \njumatatu m. poe conversa com artista Rosy Simas  numa sessão do imaginar radical. o que e o como de “para onde iremos a partir daqui?”\n\n\n \n\n\njumatatu m. poe and artist Rosy Simas engage in a session of radical imagining. the what’s and how’s of “where do we go from here?” \nRosy Simas\, dos clãs Seneca e Heron\, é uma artista transdisciplinar. Para Simas\, a cultura\, história e identidade guardadas em seu corpo são a base de seu trabalho. Ela une conceitos e imagens culturais com teorias científicas e filosóficas para criar um trabalho literal\, abstrato e metafórico. Seu trabalho tece temas de identidade pessoal e coletiva com família\, matriarcado\, soberania\, igualdade e cura. Simas recebeu bolsas da Dance/USA\, McKnight Foundation\, Guggenheim Creative Arts\, First Peoples Fund\, Native Arts and Cultures Foundation e um prêmio da Joyce Foundation. Simas é co-editor do Movement Research Performance Journal\, Sovereign Movements\, edição 52/53. \nRosy Simas (Seneca\, Heron Clan) is a transdisciplinary artist. For Simas\, the culture\, history\, and identity stored in her body is the foundation of her work. She unites cultural concepts and images with scientific and philosophical theories to create work that is literal\, abstract\, and metaphoric. Her work weaves themes of personal and collective identity with family\, matriarchy\, sovereignty\, equality\, and healing. Simas is a recipient of fellowships from Dance/USA\, McKnight Foundation\, Guggenheim Creative Arts\, First Peoples Fund\, Native Arts and Cultures Foundation\, and a Joyce Award from The Joyce Foundation. Simas is co-editor of the Movement Research Performance Journal\, Sovereign Movements\, issue 52/53. \n \n\ncontribute to Rosy’s dreamwork directly | contribua diretamente para o trabalho dos sonhos da Rosy! PayPal — dance@rosysimas.com \ncontinuando o trabalho iniciado na Fase Um do documento Creating New Futures\, jumatatu vai realizar laboratórios do imaginar com artistxs pretxs e indígenas dos EUA e do Brasil sobre o que têm\, o que querem e ESPECIALMENTE para onde iremos a partir daqui. esta série é produzida por Día Bùi\, com assistência na curadoria por Anderson Feliciano. \ncontinuing work begun in Phase One of the Creating New Futures document\, jumatatu will be hosting imagining laboratories with Black and Indigenous artists in the US and Brazil about what they have\, what they want\, and ESPECIALLY where to go from here. this series is produced by Dia Bui\, with curatorial assistance by Anderson Feliciano. \ncúmplices\, para apoiar este trabalho como patrono\, use o link http://patreon.com/jumatatu. pode oferecer uma contribuição única pelo: shorturl.at/grFG9 \naccomplices\, please sustain this work at http://patreon.com/jumatatu. you can also offer a one-time contribution — shorturl.at/grFG9
URL:https://makinimakes.com/event/study-sessions-field-stories-2020-08-24/
CATEGORIES:Conversation
ATTACH;FMTTYPE=image/gif:https://makinimakes.com/wp-content/uploads/2020/10/Rosy-event.gif
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20200817T210000
DTEND;TZID=America/New_York:20200817T220000
DTSTAMP:20260407T021825
CREATED:20201001T205439Z
LAST-MODIFIED:20201002T033627Z
UID:10000089-1597698000-1597701600@makinimakes.com
SUMMARY:Study Sessions: FIELD STORIES\, guest/convidado Davi Pontes | em português | in English
DESCRIPTION:on Facebook and IG Live  | no Facebook e IG Live\n\n\n\n\n\nStudy Sessions: FIELD STORIES\, 17 de agosto | August 17th \njumatatu m. poe conversa com artista Davi Pontes numa  sessão do imaginar radical. o que e o como de “para onde iremos a partir daqui?” \njumatatu m. poe and artist Davi Pontes engage in a session of radical imagining. the what’s and how’s of “where do we go from here?” \nDavi Pontes vive e trabalha no Rio de Janeiro. Graduou-se em Artes pela Universidade Federal Fluminense (UFF)\, e Mestrando no Programa de Pós Graduação em Artes (Estudos Contemporâneos das Artes) da mesma instituição. Estudou na Escola Superior de Música e Artes do Espectáculo ESMAE (Porto\, Portugal)\, e na Escola de Artes Visuais do Parque Lage (EAV\, Rio de Janeiro). Entre seus trabalhos mais recentes\, destacam-se a trilogia “Repertório” em parceria com o bailarino Wallace Oliveira. O artista tem dedicado a sua prática em aprofundar o conceito de representação e do seu funcionamento a partir da ideia de arquivo contidas na produção da História. \nDavi Pontes lives and works in Rio de Janeiro. He graduated in Arts from the Universidade Federal Fluminense (UFF)\, and is a Master’s student in the Postgraduate Program in Arts (Contemporary Studies of the Arts) at the same institution. He studied at the ESMAE Superior School of Music and Arts (Porto\, Portugal)\, and at the Parque Lage School of Visual Arts (EAV\, Rio de Janeiro). Among his most recent works\, the trilogy “Repertório” in partnership with the dancer Wallace Oliveira stands out. The artist has dedicated his practice to deepen the concept of representation and its operation from the idea of the ​​archive contained in the production of History. \ncontribute to Davi’s dreamwork directly | contribua diretamente para o trabalho dos sonhos do Davi! PayPal — davie-pontes@hotmail.com \ncontinuando o trabalho iniciado na Fase Um do documento Creating New Futures\, jumatatu vai realizar laboratórios do imaginar com artistxs pretxs e indígenas dos EUA e do Brasil sobre o que têm\, o que querem e ESPECIALMENTE para onde iremos a partir daqui. esta série é produzida por Día Bùi\, com assistência na curadoria por Anderson Feliciano. \ncontinuing work begun in Phase One of the Creating New Futures document\, jumatatu will be hosting imagining laboratories with Black and Indigenous artists in the US and Brazil about what they have\, what they want\, and ESPECIALLY where to go from here. this series is produced by Dia Bui\, with curatorial assistance by Anderson Feliciano. \ncúmplices\, para apoiar este trabalho como patrono\, use o link http://patreon.com/jumatatu. pode oferecer uma contribuição única pelo: shorturl.at/grFG9 \naccomplices\, please sustain this work at http://patreon.com/jumatatu. you can also offer a one-time contribution — shorturl.at/grFG9
URL:https://makinimakes.com/event/study-sessions-field-stories-2020-08-17/
CATEGORIES:Conversation
ATTACH;FMTTYPE=image/gif:https://makinimakes.com/wp-content/uploads/2020/10/Davi-event.gif
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20200810T210000
DTEND;TZID=America/New_York:20200810T220000
DTSTAMP:20260407T021825
CREATED:20201001T205439Z
LAST-MODIFIED:20201002T032652Z
UID:10000088-1597093200-1597096800@makinimakes.com
SUMMARY:Study Sessions: FIELD STORIES\, guest/convidada Amara Tabor-Smith | em português | in English
DESCRIPTION:on Facebook and IG Live  | no Facebook e IG Live\n\n\n\n\n\nStudy Sessions: FIELD STORIES\, 10 de agosto | August 10th \njumatatu m. poe conversa com coreógrafa e criadora  de performance Amara Tabor-Smith numa sessão do imaginar radical. o que e o como de “para onde vamos daqui?” \njumatatu m. poe and choreographer & performance maker Amara Tabor-Smith engage in a session of radical imagining. the what’s and how’s of “where do we go from here?” \nAmara Tabor-Smith é coreógrafa / criadora de performance de Oakland\, Califórnia\, que descreve seu trabalho como Arte Conjura. A prática de dança e performance “site responsive” utiliza o ritual espiritual Yoruba para abordar questões de justiça social e ambiental\, raça\, identidade de gênero e pertencimento. Seu trabalho mais recente\, House/Full of Blackwomen — uma colaboração com a diretora Ellen Sebastian Chang e artistas e ativistas de Oakland — é um projeto de performance ritual em vários locais que aborda o deslocamento\, o bem-estar e o tráfico sexual de mulheres e meninas negras em Oakland. Amara é uma recipiente de 2019 Dance / USA Fellowship\, uma vencedora de um 2018 United States Artist Fellow e uma vencedora de 2016 Creative Capital Award. Ela é uma artista em residência na Universidade de Stanford. \nAmara Tabor-Smith is an Oakland\, California based choreographer/performance maker who describes her work as Conjure Art. Her site responsive\, dance and performance practice utilizes Yoruba spiritual ritual to address issues of social and environmental justice\, race\, gender identity\, and belonging. Her latest work\, House/Full of Blackwomen — a collaboration with director Ellen Sebastian Chang and Oakland based artists and activists — is a multi-site\, ritual performance project that addresses the displacement\, well being\, and sex-trafficking of black women and girls in Oakland. Amara is a 2019 Dance/USA Fellow\, a 2018 United States Artist Fellow\, and a 2016 recipient of Creative Capital. She is an artist in residence at Stanford University. \nVocê pode contribuir para o trabalho dos sonhos que Amara está apoiando atualmente pelo: shorturl.at/pw459 \nYou can contribute to the dreamwork that Amara is currently supporting at: shorturl.at/pw459 \ncontinuando o trabalho iniciado na Fase Um do documento Creating New Futures\, jumatatu vai realizar laboratórios do imaginar com artistxs pretxs e indígenas dos EUA e do Brasil sobre o que têm\, o que querem e ESPECIALMENTE para onde iremos a partir daqui. esta série é produzida por Día Bùi\, com assistência na curadoria por Anderson Feliciano. \ncontinuing work begun in Phase One of the Creating New Futures document\, jumatatu will be hosting imagining laboratories with Black and Indigenous artists in the US and Brazil about what they have\, what they want\, and ESPECIALLY where to go from here. this series is produced by Dia Bui\, with curatorial assistance by Anderson Feliciano. \ncúmplices\, para apoiar este trabalho como patrono\, use o link http://patreon.com/jumatatu. pode oferecer uma contribuição única pelo: shorturl.at/grFG9 \n\n\n\n\n\n\n\n\n\n\n\n\n \n\n\naccomplices\, please sustain this work at http://patreon.com/jumatatu. you can also offer a one-time contribution — shorturl.at/grFG9
URL:https://makinimakes.com/event/study-sessions-field-stories-2020-08-10/
CATEGORIES:Conversation
ATTACH;FMTTYPE=image/gif:https://makinimakes.com/wp-content/uploads/2020/10/Amara-event.gif
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20200803T210000
DTEND;TZID=America/New_York:20200803T220000
DTSTAMP:20260407T021825
CREATED:20201001T205439Z
LAST-MODIFIED:20201002T031351Z
UID:10000087-1596488400-1596492000@makinimakes.com
SUMMARY:Study Sessions: FIELD STORIES\, guest/convidada Zora Santos | em português | in English
DESCRIPTION:on Facebook and IG Live  | no Facebook e IG Live\n\n\n\n\n\nStudy Sessions: FIELD STORIES\, 3 de agosto | August 3rd \njumatatu m. poe conversa com atriz e artista  culinária Zora Santos numa sessão do imaginar radical. o que e o como de “para onde iremos a partir daqui?” \n\n\n\n \n\n\n\njumatatu m. poe and actress & culinary artist Zora Santos engage in a session of radical imagining. the what’s and how’s of “where do we go from here?” \nSou Zora Santos\, tenho 67 anos\, moro em Belo horizonte\, Minas Gerais\, Brasil. Sou atriz e uso minha experiência em culinária para levar meu trabalho de comida de gente preta das Minas Gerais para o maior número de pessoas possível. Trabalho performances culinária\, onde a intensão é arrebatar as pessoas pelo cheiro e sabor das comidas e leva-las a trazer à tona o máximo de memória gustativa. Há dois anos tenho trabalhado em dois projetos principais\, COMIDA DE CERCA e VEM COZINHAR COMIGO. Sendo o segundo em forma de live\, onde cozinhamos juntos. \nI am Zora Santos\, 67 years old\, and I live in Belo Horizonte\, Minas Gerais\, in Brazil. I am an actress and I use my culinary experience to take my food work from black people from Minas Gerais to as many people as possible. I create culinary performances\, where the intention is to capture people with the smell and taste of food and bring them to the edge of maximum taste memory. For two years I have been working on two main projects\, COMIDA DE CERCA and VEM COZINHAR COMIGO\, the second being in the form of live virtual event where we cook together. \ncontribute to Zora’s dreamwork directly | contribua diretamente para o trabalho dos sonhos da Zora! PayPal — zorasantos@gmail.com \n  \n\n\n\n\n\n\n\n\n\n\n\n\ncontinuando o trabalho iniciado na Fase Um do documento Creating New Futures\, jumatatu vai realizar laboratórios do imaginar com artistxs pretxs e indígenas dos EUA e do Brasil sobre o que têm\, o que querem e ESPECIALMENTE para onde iremos a partir daqui. esta série é produzida por Día Bùi\, com assistência na curadoria por Anderson Feliciano.\n\n\n \n\n\ncontinuing work begun in Phase One of the Creating New Futures document\, jumatatu will be hosting imagining laboratories with Black and Indigenous artists in the US and Brazil about what they have\, what they want\, and ESPECIALLY where to go from here. this series is produced by Dia Bui\, with curatorial assistance by Anderson Feliciano.\n\n\n \n \n\n\ncúmplices\, para apoiar este trabalho como patrono\, use o link http://patreon.com/jumatatu. pode oferecer uma contribuição única pelo: shorturl.at/grFG9\n\n\n \n\n\naccomplices\, please sustain this work at http://patreon.com/jumatatu. you can also offer a one-time contribution — shorturl.at/grFG9
URL:https://makinimakes.com/event/study-sessions-field-stories-2020-08-03/
CATEGORIES:Conversation
ATTACH;FMTTYPE=image/gif:https://makinimakes.com/wp-content/uploads/2020/10/Zora-event.gif
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20200727T210000
DTEND;TZID=America/New_York:20200727T220000
DTSTAMP:20260407T021825
CREATED:20201001T205439Z
LAST-MODIFIED:20201002T023249Z
UID:10000086-1595883600-1595887200@makinimakes.com
SUMMARY:Study Sessions: FIELD STORIES\, guest/convidada Danielle Currica | em português | in English
DESCRIPTION:on Facebook and IG Live  | no Facebook e IG Live\n\n\n\n\n\nStudy Sessions: FIELD STORIES\, 27 de Julho | July 27th \n  \n\n\n\n \n\n\njumatatu m. poe conversa com artista de dança e  burlesco Danielle Currica numa sessão do imaginar radical. o que e o como de “para onde vamos daqui?”\n\n\n \n\n\njumatatu m. poe and dance and burlesque artist Danielle Currica engage in a session of radical imagining. the what’s and how’s of “where do we go from here?”\n\n\n\n  \nEnquanto estudante a Virginia Commonwealth University\, Danielle Currica foi nomeada Melhor Artista no Mid-Atlantic American Dance Festival de 2008 antes de receber seu BFA em Dança / Coreografia\, summa cum laude\, 2009. Ela trabalhou com várias companhias de dança da Filadélfia e recebeu um Rocky 2015 Prêmio por seu trabalho de dança e administração. Juntando-se à trupe burlesca\, a Peek-A-Boo Revue (PBR) em 2009\, ela elevou-se à coreógrafa e solista – Sophie Sucre\, e encabeçou a solo o Pinup Peep Show de 2015\, 2016 e o ​​Festival Burlesque de Filadélfia de 2015\, além de festivais locais\, nacionais e internacionais. Danielle é instrutora da Academia Burlesque da Filadélfia desde 2012. \nAttending Virginia Commonwealth University\, Danielle Currica was named Outstanding Performer at the 2008 Mid-Atlantic American College Dance Festival before receiving her BFA in Dance/Choreography\, summa cum laude\, 2009. She has worked with various Philadelphian dance companies\, and received a 2015 Rocky Award for her dance and admin work. Joining Burlesque troupe\, the Peek-A-Boo Revue (PBR) in 2009\, she elevated to choreographer and soloist – Sophie Sucre\, and has solo-headlined the 2015 Pinup Peep Show\, 2016 and ’18 Philadelphia Burlesque Festival– as well as local\, national\, and international festivals. Danielle has been an instructor at the Philadelphia Burlesque Academy since 2012. \ncontribute to Danielle’s dreamwork directly | contribua diretamente para o trabalho dos sonhos da Danielle! http://paypal.me/DanielleCurrica \ncontinuando o trabalho iniciado na Fase Um do documento Creating New Futures\, jumatatu vai realizar laboratórios do imaginar com artistxs pretxs e indígenas dos EUA e do Brasil sobre o que têm\, o que querem e ESPECIALMENTE para onde iremos a partir daqui. esta série é produzida por Día Bùi\, com assistência na curadoria por Anderson Feliciano. \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\ncontinuing work begun in Phase One of the Creating New Futures document\, jumatatu will be hosting imagining laboratories with Black and Indigenous artists in the US and Brazil about what they have\, what they want\, and ESPECIALLY where to go from here. this series is produced by Dia Bui\, with curatorial assistance by Anderson Feliciano.\n\n\n\ncúmplices\, para apoiar este trabalho como patrono\, use o link http://patreon.com/jumatatu. pode oferecer uma contribuição única pelo: shorturl.at/grFG9 \n\n\n\n\n\n \n\n\naccomplices\, please sustain this work at http://patreon.com/jumatatu. you can also offer a one-time contribution — shorturl.at/grFG9
URL:https://makinimakes.com/event/study-sessions-field-stories-2020-07-27/
CATEGORIES:Conversation
ATTACH;FMTTYPE=image/gif:https://makinimakes.com/wp-content/uploads/2020/10/Danielle-event.gif
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20200720T210000
DTEND;TZID=America/New_York:20200720T220000
DTSTAMP:20260407T021825
CREATED:20201001T205439Z
LAST-MODIFIED:20201002T022301Z
UID:10000085-1595278800-1595282400@makinimakes.com
SUMMARY:Study Sessions: FIELD STORIES\, guest/convidade Sebastião Abreu | em português | in English
DESCRIPTION:on Facebook and IG Live  | no Facebook e IG Live\n\n\n\n\nStudy Sessions: FIELD STORIES\, 20 de Julho | July 20th\n\n\n \n\n\njumatatu m. poe conversa com artista de dança  Sebastião Abreu numa sessão do imaginar radical. o que e o como de “para onde vamos daqui?”\n\n\n \n\n\njumatatu m. poe and dance artist Sebastião Abreu engage in a session of radical imagining. the what’s and how’s of “where do we go from here?”\n\n\n\n \n \nSebastião Abreu: Sou BIXA\, nascida em Salvador\, agente atuante no campo da dança. Danço como arma para legitimar minha existência\, por isso vivo. Oficialmente membro da HOUSE OF Afrobapho CULTURA BALLROOM.\n \nSebastião Abreu: I’m BIXA\, based in Salvador\, Bahia (Brazil)\, and an active agent in the dance field. I dance as if it were a weapon to legitimize my existence — I live for that. Officially a member of the HOUSE OF Afrobapho CULTURA BALLROOM. \n \n \n\n\n\ncontribute to Sebastião‘s and HOUSE OF AFROBAPHO’s dreamwork directly | contribua diretamente para o trabalho dos sonhos da Sebastião e HOUSE OF AFRO BAPHO! http://vaka.me/reasx4\n \n \n\n\n\n\n\n\n\n\n\n\n\n\n\ncontinuando o trabalho iniciado na Fase Um do documento Creating New Futures\, jumatatu vai realizar laboratórios do imaginar com artistxs pretxs e indígenas dos EUA e do Brasil sobre o que têm\, o que querem e ESPECIALMENTE para onde iremos a partir daqui. esta série é produzida por Día Bùi\, com assistência na curadoria por Anderson Feliciano.\n\n\n \n\n\ncontinuing work begun in Phase One of the Creating New Futures document\, jumatatu will be hosting imagining laboratories with Black and Indigenous artists in the US and Brazil about what they have\, what they want\, and ESPECIALLY where to go from here. this series is produced by Dia Bui\, with curatorial assistance by Anderson Feliciano.\n\n\n \n \n\n\ncúmplices\, para apoiar este trabalho como patrono\, use o link http://patreon.com/jumatatu. pode oferecer uma contribuição única pelo: shorturl.at/grFG9\n\n\n \n\n\naccomplices\, please sustain this work at http://patreon.com/jumatatu. you can also offer a one-time contribution — shorturl.at/grFG9
URL:https://makinimakes.com/event/study-sessions-field-stories-2020-07-20/
CATEGORIES:Conversation
ATTACH;FMTTYPE=image/gif:https://makinimakes.com/wp-content/uploads/2020/10/Sebastião-event.gif
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20200713T210000
DTEND;TZID=America/New_York:20200713T220000
DTSTAMP:20260407T021825
CREATED:20201001T205439Z
LAST-MODIFIED:20201002T015920Z
UID:10000084-1594674000-1594677600@makinimakes.com
SUMMARY:Study Sessions: FIELD STORIES\, guest/convidada Awilda Rodríguez Lora | em português | in English
DESCRIPTION:on Facebook and IG Live  | no Facebook e IG Live\n\n\n\n\nStudy Sessions: FIELD STORIES\, 13 de Julho | July 13th\n\n\n\n \n\n\n\n\njumatatu m. poe conversa com coreógrafa de performance e empreendedora  Awilda Rodriguez Lora numa sessão do imaginar radical. o que e o como de “para onde iremos a partir daqui?”\n\n\n \n\n\njumatatu m. poe and performance choreographer / cultural entrepreneur Awilda Rodriguez Lora engage in a session of radical imagining. the what’s and how’s of “where do we go from here?”\n\n\n\n \n\n\nAwilda Rodriguez Lora é coreógrafa de performance e empreendedora cultural. Ela desafia em seu trabalho os conceitos de mulher\, sexualidade e autodeterminação. Esses conceitos são explorados através do uso de movimento\, som e vídeo\, bem como através de instanciações literais de uma “economia de vida” que ou potencializa ou subtrai do “valor” de seu corpo no mercado de arte contemporânea. Depois de mais de dez anos de trabalho como artista totalmente independente\, ela está empenhada em estudar ainda mais como as economias artísticas podem ser aproveitadas para apoiar formas alternativas de vida enraizadas na comunidade\, na criatividade e na justiça social. Nascido no México\, criado em Porto Rico e trabalhando entre a América do Norte e do Sul e o Caribe\, as performances da Rodríguez Lora atravessam várias histórias e realidades geográficas. Dessa maneira\, seu trabalho promove diálogos progressivos sobre os legados coloniais hemisféricos e as instáveis ​​categorias de raça\, gênero\, classe e sexualidade. Rodríguez Lora atualmente é anfitriã do La Rosario em Santurce\, onde está criando\, pesquisando e produzindo seu projeto de vida\, La Mujer Maravilla\, enquanto desenvolve novas estratégias para a sustentabilidade das artes ao vivo em Porto Rico.\n\nAwilda Rodriguez Lora is a performance choreographer and cultural entrepreneur. She challenges in her work the concepts of woman\, sexuality\, and self-determination. These concepts are explored through the use of movement\, sound\, and video as well as through literal instantiations of an “economy of living” that either potentiates or subtracts from her body’s “value” in the contemporary art market. After more than ten years of work as a fully independent artist\, she is committed to further studying how artistic economies can be harnessed to support alternative forms of life rooted in communality\, creativity\, and social justice. Born in Mexico\, raised in Puerto Rico\, and working in-between North and South America and the Caribbean\, Rodríguez Lora’s performances traverse multiple geographic histories and realities. In this way\, her work promotes progressive dialogues regarding hemispheric colonial legacies\, and the unstable categories of race\, gender\, class\, and sexuality. Rodríguez Lora is currently a host at La Rosario in Santurce\, where she is creating\, researching\, and producing her life project\, La Mujer Maravilla\, while developing new strategies for the sustainability of live arts in Puerto Rico.\n\n\n\n\n\n\n\n\ncontribute to Awilda‘s dreamwork directly | contribua diretamente para o trabalho dos sonhos da Awilda! http://paypal.me/laperformera\n\n\n\n\n\n\n\n\ncontinuando o trabalho iniciado na Fase Um do documento Creating New Futures\, jumatatu vai realizar laboratórios do imaginar com artistxs pretxs e indígenas dos EUA e do Brasil sobre o que têm\, o que querem e ESPECIALMENTE para onde iremos a partir daqui. esta série é produzida por Día Bùi\, com assistência na curadoria por Anderson Feliciano.\n\n\n \n\n\ncontinuing work begun in Phase One of the Creating New Futures document\, jumatatu will be hosting imagining laboratories with Black and Indigenous artists in the US and Brazil about what they have\, what they want\, and ESPECIALLY where to go from here. this series is produced by Dia Bui\, with curatorial assistance by Anderson Feliciano.\n\n\n \n\n\n\ncúmplices\, para apoiar este trabalho como patrono\, use o link http://patreon.com/jumatatu. pode oferecer uma contribuição única pelo: shorturl.at/grFG9\n\n\n \n\n\naccomplices\, please sustain this work at http://patreon.com/jumatatu. you can also offer a one-time contribution — shorturl.at/grFG9
URL:https://makinimakes.com/event/study-sessions-field-stories-2020-07-13/
CATEGORIES:Conversation
ATTACH;FMTTYPE=image/gif:https://makinimakes.com/wp-content/uploads/2020/10/Awilda-event.gif
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20200706T210000
DTEND;TZID=America/New_York:20200706T220000
DTSTAMP:20260407T021825
CREATED:20201001T205439Z
LAST-MODIFIED:20201002T010852Z
UID:10000083-1594069200-1594072800@makinimakes.com
SUMMARY:Study Sessions: FIELD STORIES\, guest/convidada Bia Ferreira | em português | in English
DESCRIPTION:on Facebook and IG Live  | no Facebook e IG Live\n\n\n\n\nStudy Sessions: FIELD STORIES\, 6 de julho | July 6th\n\n\n\n\n\n\n\n\njumatatu m. poe conversa com cantora e compositora Bia Ferreira numa sessão do imaginar radical. o que e o como de “para onde vamos daqui?”\n\n\n \n\n\njumatatu m. poe and singer/songwriter Bia Ferreira engage in a session of radical imagining. the what’s and how’s of “where do we go from here?”\n\n\n\n \n\nMineira\, cantora e compositora\, Bia Ferreira conquistou o Brasil com a canção “Cota Não é Esmola”\, canto de resistência antirracista. Groovando com toques de gospel\, do rap e reggae\, o  show do disco ” Igreja Lesbiteriana\, Um Chamado”\, lançado em 2019\,  pauta a informação como tecnologia para um levante pela luta antirracista e para o protagonismo pessoas LBT’s. Sua voz  tem ecoado por vários países do mundo. Com turnês que passaram pela Alemanha\, Portugal\, Espanha\, França\, e México e vem se destacando igualmente no cenário nacional.  Pulso Redbull Music (SP)\, Favela Sounds (BSB)\, Oi STU Open (RJ) e Festival Morrostock (RS) são alguns dos palcos que ja receberam esse Ato-Manifesto. Acompanhada de uma banda majoritariamente feminina e preta\, a música de Bia transcende o corpo e toca também o espírito.\n\nMineira\, singer and songwriter\, Bia Ferreira won over Brazil with the song “Cota Não é Esmola”\, an anti-racist resistance song. With the grooving flavors of gospel\, rap and reggae\, the album “Igreja Lesbiteriana\, Um Chamado”\, released in 2019\, positions information as technology for an uprising in anti-racist struggle and for the protagonism of LBT people. Bia’s voice has been echoed in several countries\, with tours through Germany\, Portugal\, Spain\, France\, and Mexico\, alongside stand out recognition on the national Brazilian scene as well: Pulso Redbull Music (SP)\, Favela Sounds (BSB)\, Oi STU Open (RJ) and Festival Morrostock (RS) are some of the stages that have already received this Action-Manifesto. Accompanied by a mostly female and Black band\, Bia’s touching music transcends body and spirit.\n\n\n\ncontribute to Bia’s dreamwork directly | contribua diretamente para o trabalho dos sonhos da Bia! PayPal — 22coletivo@gmail.com\n\n\n\n\n\n\n\n\n\n\n\n\ncontinuando o trabalho iniciado na Fase Um do documento Creating New Futures\, jumatatu vai realizar laboratórios do imaginar com artistxs pretxs e indígenas dos EUA e do Brasil sobre o que têm\, o que querem e ESPECIALMENTE para onde iremos a partir daqui. esta série é produzida por Día Bùi\, com assistência na curadoria por Anderson Feliciano.\n\n\n \n\n\ncontinuing work begun in Phase One of the Creating New Futures document\, jumatatu will be hosting imagining laboratories with Black and Indigenous artists in the US and Brazil about what they have\, what they want\, and ESPECIALLY where to go from here. this series is produced by Dia Bui\, with curatorial assistance by Anderson Feliciano.\n\n\n \n\n\n\ncúmplices\, para apoiar este trabalho como patrono\, use o link http://patreon.com/jumatatu. pode oferecer uma contribuição única pelo: shorturl.at/grFG9\n\n\n \n\n\naccomplices\, please sustain this work at http://patreon.com/jumatatu. you can also offer a one-time contribution — shorturl.at/grFG9
URL:https://makinimakes.com/event/study-sessions-field-stories-2020-07-06/
CATEGORIES:Conversation
ATTACH;FMTTYPE=image/gif:https://makinimakes.com/wp-content/uploads/2020/10/Bia-Event.gif
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20200629T210000
DTEND;TZID=America/New_York:20200629T220000
DTSTAMP:20260407T021825
CREATED:20201001T205439Z
LAST-MODIFIED:20201002T004754Z
UID:10000082-1593464400-1593468000@makinimakes.com
SUMMARY:Study Sessions: FIELD STORIES
DESCRIPTION:on Facebook and IG Live  | no Facebook e IG Live\n\n\n\n\nStudy Sessions: FIELD STORIES\, 29 de Junho | June 29th\n\n\n\n \n\n\n\n\njumatatu m. poe conversa com artista e professora Kariamu Welsh numa sessão do imaginar radical. o que e o como de “para onde iremos a partir daqui?”\n\n\n \n\n\njumatatu m. poe and artist and scholar Kariamu Welsh engage in a session of radical imagining. the what’s and how’s of “where do we go from here?”\n\n\n\n \n\n\n\n\nKariamu Welsh é coreógrafo e professora emérita da Temple University\, na Filadélfia. Amplamente publicada em periódicos acadêmicos e estudos de livros\, ela é uma estudiosa de estudos culturais\, incluindo performance e cultura na África e na diáspora Africana. Seu último livro\, “Hot Feet and Social Change: African Dance and Diaspora Communities”\, co-editado com Esailama Diouf e Yvonne Daniel\, foi publicado pela University of Illinois Press em 2019. Kariamu é a criadora da técnica de Umfundalai\, uma técnica de dança africana contemporânea que existe há mais de cinquenta anos e é ensinada na África e na diáspora. Dr. Welsh é a diretora artística da companhia de dança Kariamu & Co .: Traditions.\n\nKariamu Welsh is a choreographer and a professor emerita at Temple University in Philadelphia\, Pennsylvania. Widely published in both scholarly journals and book length studies\, she is a scholar of cultural studies including performance and culture within Africa and the African Diaspora. Her latest book “Hot Feet and Social Change: African Dance and Diaspora Communities”\, co-edited with Esailama Diouf and Yvonne Daniel was published by the University of Illinois Press in 2019. Kariamu is the creator of the Umfundalai technique\, a contemporary African dance technique that has been in existence for over fifty years and is taught in Africa and the diaspora. Dr. Welsh is the artistic director of the dance company Kariamu & Co.: Traditions.\n\n\ncontribute to Kariamu’s dreamwork directly | contribua diretamente para o trabalho dos sonhos da Kariamu! PayPal — kariamu@mac.com\n\n\n\n\n\ncontinuando o trabalho iniciado na Fase Um do documento Creating New Futures\, jumatatu vai realizar laboratórios do imaginar com artistxs pretxs e indígenas dos EUA e do Brasil sobre o que têm\, o que querem e ESPECIALMENTE para onde iremos a partir daqui. esta série é produzida por Día Bùi\, com assistência na curadoria por Anderson Feliciano.\n\n\n \n\n\ncontinuing work begun in Phase One of the Creating New Futures document\, jumatatu will be hosting imagining laboratories with Black and Indigenous artists in the US and Brazil about what they have\, what they want\, and ESPECIALLY where to go from here. this series is produced by Dia Bui\, with curatorial assistance by Anderson Feliciano.\n\n\n \n\n\n\ncúmplices\, para apoiar este trabalho como patrono\, use o link http://patreon.com/jumatatu. pode oferecer uma contribuição única pelo: shorturl.at/grFG9\n\n\n \n\n\naccomplices\, please sustain this work at http://patreon.com/jumatatu. you can also offer a one-time contribution — shorturl.at/grFG9
URL:https://makinimakes.com/event/study-sessions-field-stories-2020-06-29/
CATEGORIES:Conversation
ATTACH;FMTTYPE=image/gif:https://makinimakes.com/wp-content/uploads/2020/10/Kariamu-event.gif
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20200622T210000
DTEND;TZID=America/New_York:20200622T220000
DTSTAMP:20260407T021825
CREATED:20201001T205439Z
LAST-MODIFIED:20201002T003143Z
UID:10000081-1592859600-1592863200@makinimakes.com
SUMMARY:Study Sessions: FIELD STORIES\, guest/convidado Bruno de Jesus  |   em português  |  in English
DESCRIPTION:on Facebook and IG Live  | no Facebook e IG Live\n\n\n\n\nStudy Sessions: FIELD STORIES\, 22 de Junho | June 22nd\n\n\n\n \n\n\n\n\njumatatu m. poe e performer Bruno de Jesus conversam numa sessão do imaginar radical. o que e o como de “para onde vamos daqui?”\n\n\n \n\n\njumatatu m. poe and artist Bruno de Jesus engage in a session of radical imagining. the what’s and how’s of “where do we go from here?”\n\n\n\n \n\nBruno de Jesus: Nascido na cidade de Salvador na Bahia\, filho de Marita de Jesus e Henrique Bispo da Silva. Artista da dança- Bailarino\, coreógrafo\, educador\, produtor e diretor artístico. Mestre em Dança pelo Programa de Pós-Graduação em Dança da Universidade Federal da Bahia. Professor Universitário – Escola de Dança da Universidade Federal da Bahia nos cursos de licenciatura e bacharelado em dança. Estudou na Escola de Dança da Fundação Cultural do Estado da Bahia FUNCEB e Licenciatura em Dança na Universidade Federal da Bahia\, Especialização Estudos Contemporâneo em Dança UFBA. Pesquisador e diretor do documentário RAIMUNDOS: Mestre King e as figuras masculinas da dança na Bahia (2016); Idealizador e diretor do EPA! Encontro Periférico de Artes (2017); produtor e coordenador Artístico Pedagógico do projeto AbriU Dança na Bahia (2012-2017). Diretor e coreógrafo da ExperimentandoNUS Companhia de Dança a qual fundou em 2008 com mais de 10 espetáculos em seu repertorio.\n\nBruno de Jesus: Born in the city of Salvador\, Bahia\, son of Marita de Jesus and Henrique Bispo da Silva. Dance artist\, choreographer\, educator\, producer and artistic director. Master’s Degree in Dance from the Programa de Pós-Graduação em Dança da Universidade Federal da Bahia. University Professor – School of Dance at the Universidade Federal da Bahia for the bachelor’s program in dance. Studied at the Dance School of the Cultural Foundation of the State of Bahia FUNCEB and received Bachelor’s Degree in Dance at the Universidade Federal da Bahia Specialization in Contemporary Studies in Dance. Researcher and director of the documentary RAIMUNDOS: Mestre King (2016); Creator and director of EPA! Encontro Periférico de Artes (2017); producer and Pedagogical Artistic coordinator of the project AbriU Dança na Bahia (2012-2017). Director and choreographer of ExperimentandoNUS Companhia de Dança which he founded in 2008\, currently with more than 10 shows in its repertoire.\n\n\ncontribute to Bruno‘s dreamwork directly | contribua diretamente para o trabalho dos sonhos do Bruno! PayPal — bruno.danca@hotmail.com\n\n\n\n\n\n\n\n\n\n\n\ncontinuando o trabalho iniciado na Fase Um do documento Creating New Futures\, jumatatu vai realizar laboratórios do imaginar com artistes pretes e indígenes dos EUA e do Brasil sobre o que têm\, o que querem e ESPECIALMENTE para onde iremos a partir daqui. esta série é produzida por Día Bùi\, com assistência na curadoria por Anderson Feliciano.\n\n\n \n\n\ncontinuing work begun in Phase One of the Creating New Futures document\, jumatatu will be hosting imagining laboratories with Black and Indigenous artists in the US and Brazil about what they have\, what they want\, and ESPECIALLY where to go from here. this series is produced by Dia Bui\, with curatorial assistance by Anderson Feliciano.\n\n\n \n\n\n\ncúmplices\, para apoiar este trabalho como patrono\, use o link http://patreon.com/jumatatu. pode oferecer uma contribuição única pelo: shorturl.at/grFG9\n\n\n \n\n\naccomplices\, please sustain this work at http://patreon.com/jumatatu. you can also offer a one-time contribution — shorturl.at/grFG9
URL:https://makinimakes.com/event/study-sessions-field-stories-2020-06-22/
CATEGORIES:Conversation
ATTACH;FMTTYPE=image/gif:https://makinimakes.com/wp-content/uploads/2020/10/Bruno-event.gif
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20200615T210000
DTEND;TZID=America/New_York:20200615T220000
DTSTAMP:20260407T021825
CREATED:20201001T205439Z
LAST-MODIFIED:20201001T222440Z
UID:10000080-1592254800-1592258400@makinimakes.com
SUMMARY:Study Sessions: FIELD STORIES\, guest/convidade Eddie Lockwood | em português | in English
DESCRIPTION:on Facebook and IG Live  | no Facebook e IG Live\n\n\n\n\nStudy Sessions: FIELD STORIES\, 15 de Junho | June 15th\n\n\n\n \n\n\n\n\njumatatu m. poe conversa com Eddie DM Lockwood (performer e trabalhador do sexo) numa sessão do imaginar radical. o que e o como de “para onde iremos a partir daqui?”\n\n\n \n\n\njumatatu m. poe and performer & sex worker Eddie DM Lockwood engage in a session of radical imagining. the what’s and how’s of “where do we go from here?”\n\n\n\n \n\n\n\n\nDavid Martínez é um colombiano-americano não binário de primeira geração nos EUA. David avança sua carreira artística em Nova Orleans. David criou uma persona de criatura de fadas\, Eddie Lockwood\, infiltrando-se nas cenas da vida noturna e performance. David apóiam trabalhadores do sexo e usa o meio do trabalho sexual como parte de sua expressão artística; bem como burlesco\, dança gogo e design gráfico. Esta fada não-binária está aqui para dobrar suas mentes\, uma sedução para seu mundo travesso.\n\nDavid Martínez is a first generation non-binary Colombian-American advancing their artistic career in New Orleans. They created a fairy creature persona\, Eddie Lockwood\, infiltrating the nightlife/performance art scene. They support sex workers and use the medium of sexwork as part of their artistic expression; as well as burlesque\, gogo dancing and graphic design. This Nonbinary Fairy is here to gender bend your minds\, a seduction into their mischievous world.\n\n\ncontribute to Eddie’s dreamwork directly | contribua diretamente para o trabalho dos sonhos da Eddie! PayPal — lockwoodburlesque@gmail.com\n\n\n\n\n\n\n\n\ncontinuando o trabalho iniciado na Fase Um do documento Creating New Futures\, jumatatu vai realizar laboratórios do imaginar com artistxs pretxs e indígenas dos EUA e do Brasil sobre o que têm\, o que querem e ESPECIALMENTE para onde iremos a partir daqui. esta série é produzida por Día Bùi\, com assistência na curadoria por Anderson Feliciano.\n\n\n \n\n\ncontinuing work begun in Phase One of the Creating New Futures document\, jumatatu will be hosting imagining laboratories with Black and Indigenous artists in the US and Brazil about what they have\, what they want\, and ESPECIALLY where to go from here. this series is produced by Dia Bui\, with curatorial assistance by Anderson Feliciano.\n\n\n \n\n\n\ncúmplices\, para apoiar este trabalho como patrono\, use o link http://patreon.com/jumatatu. pode oferecer uma contribuição única pelo: shorturl.at/grFG9\n\n\n \n\n\naccomplices\, please sustain this work at http://patreon.com/jumatatu. you can also offer a one-time contribution — shorturl.at/grFG9
URL:https://makinimakes.com/event/study-sessions-field-stories-2020-06-15/
CATEGORIES:Conversation
ATTACH;FMTTYPE=image/gif:https://makinimakes.com/wp-content/uploads/2020/10/Eddie-event.gif
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20200608T210000
DTEND;TZID=America/New_York:20200608T220000
DTSTAMP:20260407T021825
CREATED:20201001T205439Z
LAST-MODIFIED:20201001T220516Z
UID:10000079-1591650000-1591653600@makinimakes.com
SUMMARY:Study Sessions: FIELD STORIES\, guest/convidada Luciane Ramos Silva | em português | in English
DESCRIPTION:on Facebook and IG Live  | no Facebook e IG Live\n\n\n\n\nStudy Sessions: FIELD STORIES\, 8 de Junho | June 8th\n\n\n\n \n\n\n\n\njumatatu m. poe conversa com artista de dança e antropôloga Luciane Ramos Silva numa sessão do imaginar radical. o que e o como de “para onde iremos a partir daqui?”\n\n\n \n\n\njumatatu m. poe and dance artist & anthropologist Luciane Ramos Silva engage in a session of radical imagining. the what’s and how’s of “where do we go from here?”\n\n\n\n \n\nLuciane Ramos Silva: Sou artista\, antropóloga\, educadora e mediadora cultural nascida em São Paulo e filha de uma herança de afro-brasileiros do Sul e Sudeste do Brasil – uma herança de cuidado\, orgulho e desafios . As práticas sociais e culturais negras cultivadas em minha família foram fundamentos de minha autoconsciência\, que abriram o caminho para meu trabalho acadêmico e ativista. Tenho doutorado em Artes Cênicas (pesquisando as noções de colonialidade na dança\, pedagogia e discutindo as possibilidades de conexões Sul-Sul através da técnica Germaine )\, e mestrado em Antropologia pela Universidade Estadual de Campinas (pesquisando tecidos e identidades no Leste da África)\, bem como uma especialização em estudos da diáspora africana do Centro David C. Driskell para o Estudo da Diáspora Africana. Nos últimos dez anos\, desenvolvo projetos sobre corpo\, cultura e colonialidade\, com o objetivo de aprofundar as relações Sul-Sul entre os contextos brasileiro e africano ocidental. Nos últimos 15 anos\, tenho trabalhado em rede com artistas afro-americanos de diferentes gerações discutindo a experiência diaspórica em artes cênicas. Sou co-editora da O Menelick 2Ato\, uma revista independente focada nas sociedades do Ocidente Negro\, e gestora de projetos no Acervo Africa\, um centro de pesquisa para a cultura material africana. Também venho atuando como curadora de dança desde 2017. Sou membro da Anikaya Dance Theatre Company\, com sede em Boston\, composta por artistas multirraciais de 6 países diferentes.\n\nLuciane Ramos Silva: I’m an artist\, anthropologist\, educator and cultural mediator based in São Paulo and daughter of a heritage of Afro Brazilians from the South and Southeast of the Brazil – a heritage of care\, pride and struggles. The black social and cultural practices cultivated in my family were foundations of my self consciousness\, which paved the way to my work academia and activism. I hold a PhD in Performing Arts (researching the notions of coloniality in dance\, pedagogy and discussing the possibilities of South-South connections through Germaine Acogny Technique)\, and an M.A. in Anthropology from the State University of Campinas (Researching textiles and identities in East Africa) as well as a specialization in African Diasporan studies from the David C. Driskell Center for the Study of the African Diaspora. In the past ten years\, I’ve been developing projects on the body\, culture\, and coloniality with an aim to deepen South-South relations between Brazilian and Western African contexts. From the past 15 years I’ve been networking with African American artists from different generations discussing the diasporic experience in performing arts. I am a co-editor of O Menelick 2Ato\, an independent Magazine focusing on the societies of the Black West\, and the manager of Acervo Africa\, a research center for African material culture. I have also been building practice as a dance curator since 2017. I am a member of the Boston-based Anikaya Dance Theater Company\, composed of multiracial artists from 6 different countries.\n\n\n\n\n\ncontribute to Luciane’s dreamwork directly | contribua diretamente para o trabalho dos sonhos da Luciane! PayPal — lucianeramoss@gmail.com\n\n\n\n\n\n\n\n\ncontinuando o trabalho iniciado na Fase Um do documento Creating New Futures\, jumatatu vai realizar laboratórios do imaginar com artistxs pretxs e indígenas dos EUA e do Brasil sobre o que têm\, o que querem e ESPECIALMENTE para onde iremos a partir daqui. esta série é produzida por Día Bùi\, com assistência na curadoria por Anderson Feliciano.\n\n\n \n\n\ncontinuing work begun in Phase One of the Creating New Futures document\, jumatatu will be hosting imagining laboratories with Black and Indigenous artists in the US and Brazil about what they have\, what they want\, and ESPECIALLY where to go from here. this series is produced by Dia Bui\, with curatorial assistance by Anderson Feliciano.\n\n\n \n\n\n\ncúmplices\, para apoiar este trabalho como patrono\, use o link http://patreon.com/jumatatu. pode oferecer uma contribuição única pelo: shorturl.at/grFG9\n\n\n \n\n\naccomplices\, please sustain this work at http://patreon.com/jumatatu. you can also offer a one-time contribution — shorturl.at/grFG9
URL:https://makinimakes.com/event/study-sessions-field-stories-2020-06-08/
CATEGORIES:Conversation
ATTACH;FMTTYPE=image/gif:https://makinimakes.com/wp-content/uploads/2020/10/Luciane-event.gif
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20200601T210000
DTEND;TZID=America/New_York:20200601T220000
DTSTAMP:20260407T021825
CREATED:20201001T205439Z
LAST-MODIFIED:20201001T212819Z
UID:10000078-1591045200-1591048800@makinimakes.com
SUMMARY:Study Sessions: FIELD STORIES  | em inglês e português | in English and Portuguese
DESCRIPTION:on Facebook and IG Live  | no Facebook e IG Live\n\n\n\n\n\nStudy Sessions: FIELD STORIES\, 1 de Junho | June 1st\nin English  |  em português\n\n\n \n\n\n\njumatatu m. poe introduz Study Sessions: FIELD STORIES numa sessão do imaginar radical. o que e o como de “para onde iremos a partir daqui?”\n\n\n \n\n\njumatatu m. poe introduces Study Sessions: FIELD STORIES in a session of radical imagining. the what’s and how’s of “where do we go from here?”\n\n\n \n\n\n\n\n\n\n\n\n\ncontinuando o trabalho iniciado na Fase Um do documento Creating New Futures\, jumatatu vai realizar laboratórios do imaginar com artistxs pretxs e indígenas dos EUA e do Brasil sobre o que têm\, o que querem e ESPECIALMENTE para onde iremos a partir daqui. esta série é produzida por Día Bùi\, com assistência na curadoria por Anderson Feliciano.\n\n\n \n\n\ncontinuing work begun in Phase One of the Creating New Futures document\, jumatatu will be hosting imagining laboratories with Black and Indigenous artists in the US and Brazil about what they have\, what they want\, and ESPECIALLY where to go from here. this series is produced by Dia Bui\, with curatorial assistance by Anderson Feliciano.\n\n\n \n\n\n\ncúmplices\, para apoiar este trabalho como patrono\, use o link http://patreon.com/jumatatu. pode oferecer uma contribuição única pelo: shorturl.at/grFG9\n\n\n \n\n\naccomplices\, please sustain this work at http://patreon.com/jumatatu. you can also offer a one-time contribution — shorturl.at/grFG9
URL:https://makinimakes.com/event/study-sessions-field-stories-2020-06-01/
CATEGORIES:Conversation
ATTACH;FMTTYPE=image/gif:https://makinimakes.com/wp-content/uploads/2020/06/dia-promo.gif
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20200525T210000
DTEND;TZID=America/New_York:20200525T220000
DTSTAMP:20260407T021825
CREATED:20201001T205439Z
LAST-MODIFIED:20201001T212555Z
UID:10000077-1590440400-1590444000@makinimakes.com
SUMMARY:Study Sessions: FIELD STORIES\, guest/convidade LaKendrick Davis
DESCRIPTION:on Facebook and IG Live  | no Facebook e IG Live\n\n\n\n\n\n\nStudy Sessions: FIELD STORIES\, 25 de Maio | May 25th\n\n\n(esta conversa em inglês apenas)\n\n\n \n\n\n\njumatatu m. poe conversa com LaKendrick ChoreoJazzy Davis\, (artista\, educador\, empreendedor) numa sessão do imaginar radical. o que e o como de “para onde vamos daqui?”\n\n\n\njumatatu m. poe and LaKendrick ChoreoJazzy Davis (artist\, educator\, and entrepreneur) engage in a session of radical imagining. the what’s and how’s of “where do we go from here?”\n\n\n\n\ncontribute to LaKendrick’s dreamwork directly | contribua diretamente para o trabalho dos sonhos do LaKendrick! PayPal — Kend2007@gmail.com\n \n\n\n\ncontinuando o trabalho iniciado na Fase Um do documento Creating New Futures\, jumatatu vai realizar laboratórios do imaginar com artistxs pretxs e indígenas dos EUA e do Brasil sobre o que têm\, o que querem e ESPECIALMENTE para onde iremos a partir daqui. esta série é produzida por Día Bùi\, com assistência na curadoria por Anderson Feliciano.\n\n\n \n\n\ncontinuing work begun in Phase One of the Creating New Futures document\, jumatatu will be hosting imagining laboratories with Black and Indigenous artists in the US and Brazil about what they have\, what they want\, and ESPECIALLY where to go from here. this series is produced by Dia Bui\, with curatorial assistance by Anderson Feliciano.\n\n\n \n\n\n\ncúmplices\, para apoiar este trabalho como patrono\, use o link http://patreon.com/jumatatu. pode oferecer uma contribuição única pelo: shorturl.at/grFG9\n\n\n \n\n\naccomplices\, please sustain this work at http://patreon.com/jumatatu. you can also offer a one-time contribution — shorturl.at/grFG9
URL:https://makinimakes.com/event/study-sessions-field-stories/
CATEGORIES:Conversation
ATTACH;FMTTYPE=image/gif:https://makinimakes.com/wp-content/uploads/2020/06/Background-Image.gif
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20200321
DTEND;VALUE=DATE:20200322
DTSTAMP:20260407T021825
CREATED:20200114T171108Z
LAST-MODIFIED:20200114T171108Z
UID:10000074-1584748800-1584835199@makinimakes.com
SUMMARY:Workshop showing with Marrakech performers
DESCRIPTION:jumatatu will be teaching a 2-week workshop with performers from Marrakech\, and then mounting a showing of workshop research.  Exact time and location details forthcoming\, along with additional details about the workshop. \nOrganized with Taoufiq Izeddiou through Movement Research’s GPS/Global Practice Sharing program.
URL:https://makinimakes.com/event/workshop-showing-with-marrakech-performers/
LOCATION:Institut Français de Marrakech\, Route de Targa\, Marrakech\, 40000\, Morocco
CATEGORIES:Performance,Teaching
ATTACH;FMTTYPE=image/jpeg:https://makinimakes.com/wp-content/uploads/2018/07/Jsette_Photoby-Marcelo-Thomaz_02.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20200305T170000
DTEND;TZID=America/Chicago:20200305T190000
DTSTAMP:20260407T021825
CREATED:20200114T173735Z
LAST-MODIFIED:20200115T164941Z
UID:10000076-1583427600-1583434800@makinimakes.com
SUMMARY:BIG BODY: Experimental J-Sette Performance Workshop
DESCRIPTION:Chicago Dancemakers Forum\, Museum of Contemporary Art Chicago and The Dance Center of Columbia College Chicago Present\n// A *FREE* dance workshop with jumatatu m. poe & Jermone “Donte” Beacham //\nThursday\, March 5\, 2020\n5:00 – 7:00 PM\nThe Dance Center of Columbia College Chicago\n1306 S Michigan Ave\, Chicago\, IL 60605\nStudio 300 \nJ-Sette\, also known as Bucking\, is a performance style popular in the southern United States\, practiced widely among majorettes and drill teams at historically Black colleges and universities\, and also among teams of primarily queer men who compete in gay clubs and pride festivals. The workshop focuses on bombastic performance energy\, complex relationships to rhythm and music\, movement precision\, group dynamics\, and discovering joy in flesh and community. We will explore how the performance of J-Sette creates expectations around attention and accountability to a community\, and how it positions leadership. All bodies are encouraged to participate\, regardless of previous training or ability. \nThe Big Body workshop is part of jumatatu and Jermone’s research for their performance “Let ‘Im Move You: Intervention\,” which will be presented by the MCA Chicago in July 2020 (9th-12th) in partnership with Chicago Dancemakers Forum and The Dance Center of Columbia College Chicago. Participants from this workshop may have the opportunity to take part in the performances at the festival. \nWorkshop is free\, but reservations will be required.\nQTPOC participants will be prioritized.
URL:https://makinimakes.com/event/big-body-experimental-j-sette-performance-workshop-6/
LOCATION:The Dance Center of Columbia College Chicago\, 1306 S Michigan Ave\, Chicago\, IL\, 60605\, United States
CATEGORIES:Formation,Intervention,L'MY,Teaching
ATTACH;FMTTYPE=image/gif:https://makinimakes.com/wp-content/uploads/2019/10/Formation-Studio-rehearsal-Ken.gif
ORGANIZER;CN="Chicago Dancemakers Forum":MAILTO:info@chicagodancemakers.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20200303T200000
DTEND;TZID=America/New_York:20200303T220000
DTSTAMP:20260407T021825
CREATED:20200114T172651Z
LAST-MODIFIED:20200114T232435Z
UID:10000075-1583265600-1583272800@makinimakes.com
SUMMARY:BIG BODY: Experimental J-Sette Performance Workshop
DESCRIPTION:(workshop details to be finalized shortly) \nJ-Sette\, also known as Bucking\, is a performance style popular in the southern United States practiced widely among majorettes and drill teams at historically Black colleges and universities\, and also among teams of primarily queer men who compete in gay clubs and pride festivals. This workshop focuses on bombastic performance energy\, complex relationships to rhythm and music\, movement precision\, group dynamics\, and discovering joy in flesh and community. We will explore how the performance of J-Sette creates expectations around attention and accountability to a community\, and how it positions leadership. \nBIG BODY is organized in connection with an upcoming Dance Place performance\, with details to be announced on a later date. All bodies are encouraged to participate\, regardless of previous training or ability.
URL:https://makinimakes.com/event/big-body-experimental-j-sette-performance-workshop-5/
LOCATION:Dance Place\, 3225 8th St NE\, Washington\, DC\, 20017\, United States
CATEGORIES:Formation,Intervention,L'MY,Teaching
ATTACH;FMTTYPE=image/gif:https://makinimakes.com/wp-content/uploads/2019/10/Formation-Studio-rehearsal-Ken.gif
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20200223T170000
DTEND;TZID=America/Los_Angeles:20200223T190000
DTSTAMP:20260407T021825
CREATED:20200114T023234Z
LAST-MODIFIED:20200114T023234Z
UID:10000073-1582477200-1582484400@makinimakes.com
SUMMARY:Salt (as part of Solo: A Festival of Dance)
DESCRIPTION:Solo: A Festival of Dance explores the solo as a rebellious act of self-expression. \nThe 2020 festival will feature an evening length program that includes performances from all five solo artists each night. In addition to these regularly scheduled performances there will be additional day-time and late-night programing co-curated with Dani Tirrell that will happen throughout the OtB building. \nThe 2020 Solo Artists:\nJade Solomon Curtis\nJumatatu Poe\nAdrienne Truscott\nMarianna Valencia\nAllie Hankins \n  \nSaltCreation and performance by jumatatu m. poeMetronome designed by EUMLabPlastic by RiteAid HOME\n\nI see this work as a lil’ cousin to my solo\, Android Tears\, which I was working on at one of the more difficult creative moments of my artistic life.  Through these two works\, I have been interested in the expansiveness of finite spaces.  Subversion and signifying have both been necessary tools for creation\, hopefully an absurd humor through imagery that paves the way for the freedom of confusion.  I like puzzles\, in their celebration of both confusion and order.  This performance is a puzzle – finding my infinity by way of rigidity.
URL:https://makinimakes.com/event/salt-as-part-of-solo-a-festival-of-dance/2020-02-23/
LOCATION:On the Boards\, 100 W Roy Street\, Seattle\, WA\, 98119\, United States
CATEGORIES:Performance
ATTACH;FMTTYPE=image/gif:https://makinimakes.com/wp-content/uploads/2020/01/salt-face.gif
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20200222T200000
DTEND;TZID=America/Los_Angeles:20200222T220000
DTSTAMP:20260407T021825
CREATED:20200114T023234Z
LAST-MODIFIED:20200114T023234Z
UID:10000072-1582401600-1582408800@makinimakes.com
SUMMARY:Salt (as part of Solo: A Festival of Dance)
DESCRIPTION:Solo: A Festival of Dance explores the solo as a rebellious act of self-expression. \nThe 2020 festival will feature an evening length program that includes performances from all five solo artists each night. In addition to these regularly scheduled performances there will be additional day-time and late-night programing co-curated with Dani Tirrell that will happen throughout the OtB building. \nThe 2020 Solo Artists:\nJade Solomon Curtis\nJumatatu Poe\nAdrienne Truscott\nMarianna Valencia\nAllie Hankins \n  \nSaltCreation and performance by jumatatu m. poeMetronome designed by EUMLabPlastic by RiteAid HOME\n\nI see this work as a lil’ cousin to my solo\, Android Tears\, which I was working on at one of the more difficult creative moments of my artistic life.  Through these two works\, I have been interested in the expansiveness of finite spaces.  Subversion and signifying have both been necessary tools for creation\, hopefully an absurd humor through imagery that paves the way for the freedom of confusion.  I like puzzles\, in their celebration of both confusion and order.  This performance is a puzzle – finding my infinity by way of rigidity.
URL:https://makinimakes.com/event/salt-as-part-of-solo-a-festival-of-dance/2020-02-22/
LOCATION:On the Boards\, 100 W Roy Street\, Seattle\, WA\, 98119\, United States
CATEGORIES:Performance
ATTACH;FMTTYPE=image/gif:https://makinimakes.com/wp-content/uploads/2020/01/salt-face.gif
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20200221T200000
DTEND;TZID=America/Los_Angeles:20200221T220000
DTSTAMP:20260407T021825
CREATED:20200114T023234Z
LAST-MODIFIED:20200114T023234Z
UID:10000071-1582315200-1582322400@makinimakes.com
SUMMARY:Salt (as part of Solo: A Festival of Dance)
DESCRIPTION:Solo: A Festival of Dance explores the solo as a rebellious act of self-expression. \nThe 2020 festival will feature an evening length program that includes performances from all five solo artists each night. In addition to these regularly scheduled performances there will be additional day-time and late-night programing co-curated with Dani Tirrell that will happen throughout the OtB building. \nThe 2020 Solo Artists:\nJade Solomon Curtis\nJumatatu Poe\nAdrienne Truscott\nMarianna Valencia\nAllie Hankins \n  \nSaltCreation and performance by jumatatu m. poeMetronome designed by EUMLabPlastic by RiteAid HOME\n\nI see this work as a lil’ cousin to my solo\, Android Tears\, which I was working on at one of the more difficult creative moments of my artistic life.  Through these two works\, I have been interested in the expansiveness of finite spaces.  Subversion and signifying have both been necessary tools for creation\, hopefully an absurd humor through imagery that paves the way for the freedom of confusion.  I like puzzles\, in their celebration of both confusion and order.  This performance is a puzzle – finding my infinity by way of rigidity.
URL:https://makinimakes.com/event/salt-as-part-of-solo-a-festival-of-dance/2020-02-21/
LOCATION:On the Boards\, 100 W Roy Street\, Seattle\, WA\, 98119\, United States
CATEGORIES:Performance
ATTACH;FMTTYPE=image/gif:https://makinimakes.com/wp-content/uploads/2020/01/salt-face.gif
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20200220T200000
DTEND;TZID=America/Los_Angeles:20200220T220000
DTSTAMP:20260407T021825
CREATED:20200114T023234Z
LAST-MODIFIED:20200114T023234Z
UID:10000070-1582228800-1582236000@makinimakes.com
SUMMARY:Salt (as part of Solo: A Festival of Dance)
DESCRIPTION:Solo: A Festival of Dance explores the solo as a rebellious act of self-expression. \nThe 2020 festival will feature an evening length program that includes performances from all five solo artists each night. In addition to these regularly scheduled performances there will be additional day-time and late-night programing co-curated with Dani Tirrell that will happen throughout the OtB building. \nThe 2020 Solo Artists:\nJade Solomon Curtis\nJumatatu Poe\nAdrienne Truscott\nMarianna Valencia\nAllie Hankins \n  \nSaltCreation and performance by jumatatu m. poeMetronome designed by EUMLabPlastic by RiteAid HOME\n\nI see this work as a lil’ cousin to my solo\, Android Tears\, which I was working on at one of the more difficult creative moments of my artistic life.  Through these two works\, I have been interested in the expansiveness of finite spaces.  Subversion and signifying have both been necessary tools for creation\, hopefully an absurd humor through imagery that paves the way for the freedom of confusion.  I like puzzles\, in their celebration of both confusion and order.  This performance is a puzzle – finding my infinity by way of rigidity.
URL:https://makinimakes.com/event/salt-as-part-of-solo-a-festival-of-dance/2020-02-20/
LOCATION:On the Boards\, 100 W Roy Street\, Seattle\, WA\, 98119\, United States
CATEGORIES:Performance
ATTACH;FMTTYPE=image/gif:https://makinimakes.com/wp-content/uploads/2020/01/salt-face.gif
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20200206T220000
DTEND;TZID=America/Halifax:20200207T020000
DTSTAMP:20260407T021825
CREATED:20200113T234504Z
LAST-MODIFIED:20200114T003618Z
UID:10000069-1581026400-1581040800@makinimakes.com
SUMMARY:Queer Slow Jam
DESCRIPTION:Maybe less of a throwback and more of a reclaiming: we are about to transform those memories of high school dances that many of us didn’t attend – at least not in the way we wanted to.  We are going to welcome the slow jam onto the dance floor\, and meet it with a close embrace – maybe just of ourselves\, or of a consensual partner… or maybe more than one.  Let’s get close; feel our wise hips swing into the same dimly lit spaces\, hear inhales and exhales from a mouth hovering near our ear\, pumping oxygen for a heart rate that’s pulsing a bit faster than usual…  Let’s see what we can get up to way down below 95 bpm.  Let’s be people dancing up on other people\, when we want to and when we are wanted.  Let’s give our permission for the proximity that we are feeling.  Let’s be queer and normal and strange and open and close… very close…  Sweating to the beat of slow motion. \nWe will be blessed in the space with the sage musical curations DJ’s soon-to-be-announced.  Even as we may challenge\, tempt\, and transgress it\, we will honor that slow pulse\, the space in it\, the complex syncopations\, the polyrhythmicity.
URL:https://makinimakes.com/event/queer-slow-jam/
LOCATION:The Sankofa House\, 906 S 49th St\, Philadelphia\, PA\, 19143\, United States
CATEGORIES:Party
ATTACH;FMTTYPE=image/gif:https://makinimakes.com/wp-content/uploads/2018/11/queer-slow-jam-gif2.gif
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20200206T180000
DTEND;TZID=America/New_York:20200206T210000
DTSTAMP:20260407T021825
CREATED:20200113T233911Z
LAST-MODIFIED:20200113T233911Z
UID:10000068-1581012000-1581022800@makinimakes.com
SUMMARY:Sweat to the Beat of Slow Motion (part of Wildin' In workshop series)
DESCRIPTION:Wildin’ In workshop series is a 4-day laboratory on cultivating erotic and wild energies within rigorous dance/performance play. The series is being offered for QTBIPOC and BIPOC accomplices. jumatatu’s The Switching and Sweat to the Beat of Slow Motion workshops and a closing Queer Slow Jam will be structured vehicles to contain this play and shape our collective exploration. All events will be held at Sankofa House in Philadelphia from February 3 – 6\, 2020.  Registration will be open until workshop spots are full. Fees $0 – $150\, sliding scale. \n\nSweat to the Beat of Slow Motion\n6 – 9pm each day (on the final day\, we will likely end one hour early)\n\n\n\n\n\n\nWe are going to welcome the slow jam onto the dance floor\, and meet it with a close embrace – maybe just of our individual selves\, or of a consensual partner… or maybe more than one. Let’s get close; feel our wise hips swing into dimly lit spaces\, hear inhales and exhales from a mouth hovering near our ear\, pumping oxygen for a heart rate that’s pulsing a bit faster than usual… Let’s see what we can get up to way down below 95 bpm. Let’s be people dancing up on other people\, when we want to and when we are wanted. Let’s ask for and give our permission for the proximity that we are desiring. Let’s be queer and normal and strange and open and close… very close… Sweating to the beat of slow motion. This is a collective exercise in exploring slow\, and experimenting with how to construct a mutually attentive unit with someone else – leading\, following\, and getting tangled in a consensual gray area. Within this\, we will explore movement related to the hip swing of the J-Sette march\, the entangled embrace of forms like Cuban Son and Angolan Kizomba\, and the importance of deeply communicative pelvic movement in African-descended dance forms. We will disrupt gendered notions about who follows and who leads\, slowly discovering the ways we would like to embrace and be embraced on the dance floor.
URL:https://makinimakes.com/event/sweat-to-the-beat-of-slow-motion-part-of-wildin-in-workshop-series/2020-02-06/
LOCATION:The Sankofa House\, 906 S 49th St\, Philadelphia\, PA\, 19143\, United States
CATEGORIES:Teaching
ATTACH;FMTTYPE=image/gif:https://makinimakes.com/wp-content/uploads/2020/01/jumatatu-julian.gif
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20200206T133000
DTEND;TZID=America/New_York:20200206T163000
DTSTAMP:20260407T021825
CREATED:20200113T232834Z
LAST-MODIFIED:20200113T232834Z
UID:10000064-1580995800-1581006600@makinimakes.com
SUMMARY:The Switching (part of Wildin' In workshop series)
DESCRIPTION:Wildin’ In workshop series is a 4-day laboratory on cultivating erotic and wild energies within rigorous dance/performance play. The series is being offered for QTBIPOC and BIPOC accomplices. jumatatu’s The Switching and Sweat to the Beat of Slow Motion workshops and a closing Queer Slow Jam will be structured vehicles to contain this play and shape our collective exploration. All events will be held at Sankofa House in Philadelphia from February 3 – 6\, 2020.  Registration will be open until workshop spots are full. Fees $0 – $150\, sliding scale. \nThe Switching workshop\n1:30 – 4:30pm each day\n\n\nI like to imagine that this practice in performance improvisation\, The Switching\, is a strategy in immediate evolution\, rapid-fire shifting\, sublime learning of and in the moment. I began this practice while dealing with my curiosities around a question I obsessed over: “Can I change myself?” \nOur practice will deal with strategic essentialization – through the immediate re-design of ourselves into other creatures\, or other ways of being our innate creatures – and working with immediately identifying the restrictions/limitations that are inescapable. It’s round about\, and ideally will come full circle. \nNow\, in this moment\, it’s circle/curve through my distals\, and my distalsare everywhere\, and my desire travels in orbits\, in cycles\, and my vision is a limb.And now\, in this moment\, my vision is a limb\, and I am comprised of everythingthat I can sense that I cannot see\, and I am composed of the samematerial all throughout my body\, and my voice is flat.And now\, in this moment\, my voice is flat\, and my rhythm is insistentlypercussive\, and my organs erupt to propel me into movement\, andthen they recompose themselves\, and I am responsible for all of the sound I canhear\, and I am feeling overwhelmed at all of my responsibility\, and myerotic desire is piercing through my pores. \nFor me\, there is something deeply spiritual about it\, something confusing\, something humbling/humiliating about it. I feel like it has theoretical links to code switching\, especially as it has to do with my Blackness and queerness\, experiences of immediate compartmentalization/contextualization as a defense mechanism\, as a means of survival. \n“It kinda asks the “safe space” academic overuse and misuse to reexamine itself cause not only am I accountable for what I’m choosing to put into the room\, but I’m acknowledging that there are things about my makeup/training/culture/privilege/unconscious/blind spots that can also cause a shift in the room or the community or the world for better or for worse or who knows really what the effect will be. Something about this philosophy is great to me because it doesn’t make me feel like I have to fret. It doesn’t make me feel totally paralyzed to choose or move. It does make me hyper-diligent about the messiness of it all\, the plurality of it all.“ \n—Christina Gesualdi
URL:https://makinimakes.com/event/the-switching-part-of-wildin-in-workshop-series/2020-02-06/
LOCATION:The Sankofa House\, 906 S 49th St\, Philadelphia\, PA\, 19143\, United States
CATEGORIES:Teaching
ATTACH;FMTTYPE=image/gif:https://makinimakes.com/wp-content/uploads/2018/11/switching-gif.gif
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20200205T180000
DTEND;TZID=America/New_York:20200205T210000
DTSTAMP:20260407T021825
CREATED:20200113T233911Z
LAST-MODIFIED:20200113T233911Z
UID:10000067-1580925600-1580936400@makinimakes.com
SUMMARY:Sweat to the Beat of Slow Motion (part of Wildin' In workshop series)
DESCRIPTION:Wildin’ In workshop series is a 4-day laboratory on cultivating erotic and wild energies within rigorous dance/performance play. The series is being offered for QTBIPOC and BIPOC accomplices. jumatatu’s The Switching and Sweat to the Beat of Slow Motion workshops and a closing Queer Slow Jam will be structured vehicles to contain this play and shape our collective exploration. All events will be held at Sankofa House in Philadelphia from February 3 – 6\, 2020.  Registration will be open until workshop spots are full. Fees $0 – $150\, sliding scale. \n\nSweat to the Beat of Slow Motion\n6 – 9pm each day (on the final day\, we will likely end one hour early)\n\n\n\n\n\n\nWe are going to welcome the slow jam onto the dance floor\, and meet it with a close embrace – maybe just of our individual selves\, or of a consensual partner… or maybe more than one. Let’s get close; feel our wise hips swing into dimly lit spaces\, hear inhales and exhales from a mouth hovering near our ear\, pumping oxygen for a heart rate that’s pulsing a bit faster than usual… Let’s see what we can get up to way down below 95 bpm. Let’s be people dancing up on other people\, when we want to and when we are wanted. Let’s ask for and give our permission for the proximity that we are desiring. Let’s be queer and normal and strange and open and close… very close… Sweating to the beat of slow motion. This is a collective exercise in exploring slow\, and experimenting with how to construct a mutually attentive unit with someone else – leading\, following\, and getting tangled in a consensual gray area. Within this\, we will explore movement related to the hip swing of the J-Sette march\, the entangled embrace of forms like Cuban Son and Angolan Kizomba\, and the importance of deeply communicative pelvic movement in African-descended dance forms. We will disrupt gendered notions about who follows and who leads\, slowly discovering the ways we would like to embrace and be embraced on the dance floor.
URL:https://makinimakes.com/event/sweat-to-the-beat-of-slow-motion-part-of-wildin-in-workshop-series/2020-02-05/
LOCATION:The Sankofa House\, 906 S 49th St\, Philadelphia\, PA\, 19143\, United States
CATEGORIES:Teaching
ATTACH;FMTTYPE=image/gif:https://makinimakes.com/wp-content/uploads/2020/01/jumatatu-julian.gif
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20200205T133000
DTEND;TZID=America/New_York:20200205T163000
DTSTAMP:20260407T021825
CREATED:20200113T232834Z
LAST-MODIFIED:20200113T232834Z
UID:10000063-1580909400-1580920200@makinimakes.com
SUMMARY:The Switching (part of Wildin' In workshop series)
DESCRIPTION:Wildin’ In workshop series is a 4-day laboratory on cultivating erotic and wild energies within rigorous dance/performance play. The series is being offered for QTBIPOC and BIPOC accomplices. jumatatu’s The Switching and Sweat to the Beat of Slow Motion workshops and a closing Queer Slow Jam will be structured vehicles to contain this play and shape our collective exploration. All events will be held at Sankofa House in Philadelphia from February 3 – 6\, 2020.  Registration will be open until workshop spots are full. Fees $0 – $150\, sliding scale. \nThe Switching workshop\n1:30 – 4:30pm each day\n\n\nI like to imagine that this practice in performance improvisation\, The Switching\, is a strategy in immediate evolution\, rapid-fire shifting\, sublime learning of and in the moment. I began this practice while dealing with my curiosities around a question I obsessed over: “Can I change myself?” \nOur practice will deal with strategic essentialization – through the immediate re-design of ourselves into other creatures\, or other ways of being our innate creatures – and working with immediately identifying the restrictions/limitations that are inescapable. It’s round about\, and ideally will come full circle. \nNow\, in this moment\, it’s circle/curve through my distals\, and my distalsare everywhere\, and my desire travels in orbits\, in cycles\, and my vision is a limb.And now\, in this moment\, my vision is a limb\, and I am comprised of everythingthat I can sense that I cannot see\, and I am composed of the samematerial all throughout my body\, and my voice is flat.And now\, in this moment\, my voice is flat\, and my rhythm is insistentlypercussive\, and my organs erupt to propel me into movement\, andthen they recompose themselves\, and I am responsible for all of the sound I canhear\, and I am feeling overwhelmed at all of my responsibility\, and myerotic desire is piercing through my pores. \nFor me\, there is something deeply spiritual about it\, something confusing\, something humbling/humiliating about it. I feel like it has theoretical links to code switching\, especially as it has to do with my Blackness and queerness\, experiences of immediate compartmentalization/contextualization as a defense mechanism\, as a means of survival. \n“It kinda asks the “safe space” academic overuse and misuse to reexamine itself cause not only am I accountable for what I’m choosing to put into the room\, but I’m acknowledging that there are things about my makeup/training/culture/privilege/unconscious/blind spots that can also cause a shift in the room or the community or the world for better or for worse or who knows really what the effect will be. Something about this philosophy is great to me because it doesn’t make me feel like I have to fret. It doesn’t make me feel totally paralyzed to choose or move. It does make me hyper-diligent about the messiness of it all\, the plurality of it all.“ \n—Christina Gesualdi
URL:https://makinimakes.com/event/the-switching-part-of-wildin-in-workshop-series/2020-02-05/
LOCATION:The Sankofa House\, 906 S 49th St\, Philadelphia\, PA\, 19143\, United States
CATEGORIES:Teaching
ATTACH;FMTTYPE=image/gif:https://makinimakes.com/wp-content/uploads/2018/11/switching-gif.gif
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20200204T180000
DTEND;TZID=America/New_York:20200204T210000
DTSTAMP:20260407T021825
CREATED:20200113T233911Z
LAST-MODIFIED:20200113T233911Z
UID:10000066-1580839200-1580850000@makinimakes.com
SUMMARY:Sweat to the Beat of Slow Motion (part of Wildin' In workshop series)
DESCRIPTION:Wildin’ In workshop series is a 4-day laboratory on cultivating erotic and wild energies within rigorous dance/performance play. The series is being offered for QTBIPOC and BIPOC accomplices. jumatatu’s The Switching and Sweat to the Beat of Slow Motion workshops and a closing Queer Slow Jam will be structured vehicles to contain this play and shape our collective exploration. All events will be held at Sankofa House in Philadelphia from February 3 – 6\, 2020.  Registration will be open until workshop spots are full. Fees $0 – $150\, sliding scale. \n\nSweat to the Beat of Slow Motion\n6 – 9pm each day (on the final day\, we will likely end one hour early)\n\n\n\n\n\n\nWe are going to welcome the slow jam onto the dance floor\, and meet it with a close embrace – maybe just of our individual selves\, or of a consensual partner… or maybe more than one. Let’s get close; feel our wise hips swing into dimly lit spaces\, hear inhales and exhales from a mouth hovering near our ear\, pumping oxygen for a heart rate that’s pulsing a bit faster than usual… Let’s see what we can get up to way down below 95 bpm. Let’s be people dancing up on other people\, when we want to and when we are wanted. Let’s ask for and give our permission for the proximity that we are desiring. Let’s be queer and normal and strange and open and close… very close… Sweating to the beat of slow motion. This is a collective exercise in exploring slow\, and experimenting with how to construct a mutually attentive unit with someone else – leading\, following\, and getting tangled in a consensual gray area. Within this\, we will explore movement related to the hip swing of the J-Sette march\, the entangled embrace of forms like Cuban Son and Angolan Kizomba\, and the importance of deeply communicative pelvic movement in African-descended dance forms. We will disrupt gendered notions about who follows and who leads\, slowly discovering the ways we would like to embrace and be embraced on the dance floor.
URL:https://makinimakes.com/event/sweat-to-the-beat-of-slow-motion-part-of-wildin-in-workshop-series/2020-02-04/
LOCATION:The Sankofa House\, 906 S 49th St\, Philadelphia\, PA\, 19143\, United States
CATEGORIES:Teaching
ATTACH;FMTTYPE=image/gif:https://makinimakes.com/wp-content/uploads/2020/01/jumatatu-julian.gif
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20200204T133000
DTEND;TZID=America/New_York:20200204T163000
DTSTAMP:20260407T021825
CREATED:20200113T232834Z
LAST-MODIFIED:20200113T232834Z
UID:10000062-1580823000-1580833800@makinimakes.com
SUMMARY:The Switching (part of Wildin' In workshop series)
DESCRIPTION:Wildin’ In workshop series is a 4-day laboratory on cultivating erotic and wild energies within rigorous dance/performance play. The series is being offered for QTBIPOC and BIPOC accomplices. jumatatu’s The Switching and Sweat to the Beat of Slow Motion workshops and a closing Queer Slow Jam will be structured vehicles to contain this play and shape our collective exploration. All events will be held at Sankofa House in Philadelphia from February 3 – 6\, 2020.  Registration will be open until workshop spots are full. Fees $0 – $150\, sliding scale. \nThe Switching workshop\n1:30 – 4:30pm each day\n\n\nI like to imagine that this practice in performance improvisation\, The Switching\, is a strategy in immediate evolution\, rapid-fire shifting\, sublime learning of and in the moment. I began this practice while dealing with my curiosities around a question I obsessed over: “Can I change myself?” \nOur practice will deal with strategic essentialization – through the immediate re-design of ourselves into other creatures\, or other ways of being our innate creatures – and working with immediately identifying the restrictions/limitations that are inescapable. It’s round about\, and ideally will come full circle. \nNow\, in this moment\, it’s circle/curve through my distals\, and my distalsare everywhere\, and my desire travels in orbits\, in cycles\, and my vision is a limb.And now\, in this moment\, my vision is a limb\, and I am comprised of everythingthat I can sense that I cannot see\, and I am composed of the samematerial all throughout my body\, and my voice is flat.And now\, in this moment\, my voice is flat\, and my rhythm is insistentlypercussive\, and my organs erupt to propel me into movement\, andthen they recompose themselves\, and I am responsible for all of the sound I canhear\, and I am feeling overwhelmed at all of my responsibility\, and myerotic desire is piercing through my pores. \nFor me\, there is something deeply spiritual about it\, something confusing\, something humbling/humiliating about it. I feel like it has theoretical links to code switching\, especially as it has to do with my Blackness and queerness\, experiences of immediate compartmentalization/contextualization as a defense mechanism\, as a means of survival. \n“It kinda asks the “safe space” academic overuse and misuse to reexamine itself cause not only am I accountable for what I’m choosing to put into the room\, but I’m acknowledging that there are things about my makeup/training/culture/privilege/unconscious/blind spots that can also cause a shift in the room or the community or the world for better or for worse or who knows really what the effect will be. Something about this philosophy is great to me because it doesn’t make me feel like I have to fret. It doesn’t make me feel totally paralyzed to choose or move. It does make me hyper-diligent about the messiness of it all\, the plurality of it all.“ \n—Christina Gesualdi
URL:https://makinimakes.com/event/the-switching-part-of-wildin-in-workshop-series/2020-02-04/
LOCATION:The Sankofa House\, 906 S 49th St\, Philadelphia\, PA\, 19143\, United States
CATEGORIES:Teaching
ATTACH;FMTTYPE=image/gif:https://makinimakes.com/wp-content/uploads/2018/11/switching-gif.gif
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20200203T180000
DTEND;TZID=America/New_York:20200203T210000
DTSTAMP:20260407T021825
CREATED:20200113T233911Z
LAST-MODIFIED:20200113T233911Z
UID:10000065-1580752800-1580763600@makinimakes.com
SUMMARY:Sweat to the Beat of Slow Motion (part of Wildin' In workshop series)
DESCRIPTION:Wildin’ In workshop series is a 4-day laboratory on cultivating erotic and wild energies within rigorous dance/performance play. The series is being offered for QTBIPOC and BIPOC accomplices. jumatatu’s The Switching and Sweat to the Beat of Slow Motion workshops and a closing Queer Slow Jam will be structured vehicles to contain this play and shape our collective exploration. All events will be held at Sankofa House in Philadelphia from February 3 – 6\, 2020.  Registration will be open until workshop spots are full. Fees $0 – $150\, sliding scale. \n\nSweat to the Beat of Slow Motion\n6 – 9pm each day (on the final day\, we will likely end one hour early)\n\n\n\n\n\n\nWe are going to welcome the slow jam onto the dance floor\, and meet it with a close embrace – maybe just of our individual selves\, or of a consensual partner… or maybe more than one. Let’s get close; feel our wise hips swing into dimly lit spaces\, hear inhales and exhales from a mouth hovering near our ear\, pumping oxygen for a heart rate that’s pulsing a bit faster than usual… Let’s see what we can get up to way down below 95 bpm. Let’s be people dancing up on other people\, when we want to and when we are wanted. Let’s ask for and give our permission for the proximity that we are desiring. Let’s be queer and normal and strange and open and close… very close… Sweating to the beat of slow motion. This is a collective exercise in exploring slow\, and experimenting with how to construct a mutually attentive unit with someone else – leading\, following\, and getting tangled in a consensual gray area. Within this\, we will explore movement related to the hip swing of the J-Sette march\, the entangled embrace of forms like Cuban Son and Angolan Kizomba\, and the importance of deeply communicative pelvic movement in African-descended dance forms. We will disrupt gendered notions about who follows and who leads\, slowly discovering the ways we would like to embrace and be embraced on the dance floor.
URL:https://makinimakes.com/event/sweat-to-the-beat-of-slow-motion-part-of-wildin-in-workshop-series/2020-02-03/
LOCATION:The Sankofa House\, 906 S 49th St\, Philadelphia\, PA\, 19143\, United States
CATEGORIES:Teaching
ATTACH;FMTTYPE=image/gif:https://makinimakes.com/wp-content/uploads/2020/01/jumatatu-julian.gif
END:VEVENT
END:VCALENDAR